The Berber line is the result of iconographic-symbolic research based on a comparative analysis of the different patterns and motifs in the textiles of the Berber tribes living in the Atlas mountains in Morocco.

The research method used for identifying and recovering archetypes linked to an antique vision of the world, was a comparison of different archaeological paintings and sculptures depicting the pre-and protohistoric cult of the Great Earth Goddess, with the symbolic decorations of the objects made by the rural and nomadic peoples of the ancient Islamic world.
From the wealth of figurative interpretations some styles have been extracted whose force consists in their ritual interpretation of an anthropomorphic figure with the arms turned towards its stomach, a clear evocation of the ancient Goddess, to whom the functions of life's essential patterns of fertility, birth, prosperity, death and regeneration were attributed.

The Berber range has revived and reinterpreted a mythical atavistic identity that belongs to us all and which history has passed down to us through the transmigration of the original cults from the 'Source of All Life', the 'Female Creator' and other female goddesses like Isis in Egypt, Astarte-Ishtar in the fertile crescent, Cybele in Phrygia, Artemides of Ephesus, Aphrodite, Hera and Athena in Greece, and the Roman Venus, Juno and Diana, right down to the Virgin Mary of Christianity .